There are many challenges to researching an historical fiction novel. Firstly, I'd like to state that
research is no stranger to me; I've been happy researching for
decades, be it Roman, Anglo-Saxon, pre-history, Medieval or later. My
degrees are in earlier periods (predominately Early Medieval England,
Scotland and Ireland) and I have been working in Tudor buildings or
re-enacting Tudor era since before the millennium. Yet I still faced
many challenges. Research for some is a joy and for many it simply
includes picking up a few basic history books and looking up wiki
facts (which I don't condemn at all – even wiki can help a
researcher by listing references below which can be followed up. It's
an excellent starting point for a new researcher, but do be aware
that facts are sometimes incorrect on wiki and should be used as a
compass point and not an actual reference).
But there is another type of research,
infinitely more fun and rewarding; and that is to go out and do your
own primary research. Visit the British Library if you are able, see
for yourself the manuscripts that the historians are using as the
foundations of their history books. Go to those castles and
photograph like mad (if permitted, if not, just get a feel for the
place and take copious notes) to understand exactly how your
characters, historical or fiction, would be interacting within those
stone walls. Visit every museum you can that holds artifacts from the
era you are researching and talk to other researchers.
Researching for the 16th
century for A Corpse in Cipher was incredibly enjoyable but it was
certainly fraught with challenges. For one, many of the history books
of the Tudor era are heavily Elizabethan biased. Assumptions seemed
to have been made on this that project later Tudor living onto the
earlier. Although Anne Boleyn is a vigorous subject both as
Elizabeth's mother and in her own right, I've noticed histories focus
on her experiences and her husband's without much regard for era
details outside of the bedchamber. General Tudor history books will
try to encompass early Tudor living, but it is still based on the
Elizabethan (and Henry's sex life). This is a pitfall into which many
new writers can fall; relying on generalized histories that do not
concentrate specifically on their era.
Which brings me to the second challenge
– money. Unless you have a university library to hand filled with
books belonging to your research era, the necessary books will need
to be obtained via cash means. Even with good research libraries at
hand (lets face it, public libraries just aren't going to have that
rare copy you're after nor will they purchase it at request),
photocopies for books that mustn't leave the property can add up. So
can photograph permissions and publishing rights. It all adds up.
E-bay is a beautiful thing for books. I've found some rare treasures
on e-bay that years of searching dusty old second hand shops have yet
to yield. As most writers are poor, doing accurate research is going
to be expensive.
There are many more challenges, but
I'll just sum up the next two here, and that is distance and status.
I was lucky enough to be living in England (fortuitously just an hour
north of London on the train, which put me in an advantageous
physical location as I was surrounded by Tudor era buildings all
within an easy drive or bus ride) and I know that others don't have
that advantage and 'getting there' is going to be more costly than
the acquisition of the right books. And of course, just like when I
attempted to arrange a meeting with the assistant curator of Castle
Howard to view some Tudor era letters, I lacked enough clout to be
taken seriously (why allow a writer of fiction books access to
fragile documents, it's not like it's a 'research degree') and there
were many, many others who gave the same cold reception. Of course,
it may have helped if I'd first prepared a letter of introduction
from someone high up in the field. Then again, it may have proved to
be just as fruitless. Without the backing of a university (an active
backing, as postgraduate alumni don't seem to matter), those doors
just keep being slammed.
The good news is that there are many
enthusiasts within each research era that can give reference pointers
(don't ever just take one person's word for it – do the research!
I've met some lovely people online and at re-enactments who are still
hanging onto some outdated theory or disproved 'fact'). There are
also online histories that have transcribed documents and made them
available to the general public... for free. With the right timing,
wording, and yes, introductions, some museums and research centers
will respond with tips, facts or even invites for viewings, but
expect many doors to be slammed in your face first if you're not
carrying a postgraduate research degree badge. It's not an easy
life-choice to make, but doing the proper research for your book will
make it more believable not just for your readers, but for you. And
if you happen to discover something new that the historians have
overlooked, don't hide it away, share it. It may just open a few more
doors...
A Corpse in Cipher – A Tudor Murder
Mystery by Lizzy Drake is available in print and as an e-book
