Thursday, 30 August 2012

Borthwick Inklings



At the moment, I’m typing at York Rail Station, waiting for my train.  It’s a good thing, I think, that all the stores close at 5:30, museums are locked, and I’m given a chance to do some more work.  I’ve just finished chapter 2 of my Women in Asylum book and I’m excited about delving deeper into my notes to write up more.  Although, I am limited on time as the staff here won’t let me plug in as the plugs are ‘untested’.  I’ve about half an hour of juice left in the machine!


It was good meeting up with a friend last night (when I was supposed to be writing) and having a pub dinner was especially tasty!  So, with the request made to me on the night, I’m ‘blogging more frequently’.  Michelle, this is for you :-)
 

So I may not have mentioned the non-fiction book I’ve been working on.  To be fair, I’m not sure how far I’m going to take it.  I was bewitched by the photographs of Victorian patients in the North Riding Mental Asylum about 12 years ago and now I’m finally following up on the research I’ve always intended on doing.  I spent all of today and half of yesterday in the Borthwick Institute, looking up case files from 1887-1889 of some of the female patients. 
 

I wanted to focus on post-natal depression, and I think I found a few, but as it was all labelled either ‘melancholia’ or ‘mania’ it’s difficult to tell even when the put the ‘supposed cause’ on the file.  The case notes have given clues into the lives of these women, but my favourite must be the woman from Whitby who was convinced her husband was lost at sea (he wasn’t, but she was looking after three children, the youngest being only three months).  She made a full recovery in a matter of months and also learned some fine needlepoint on the journey. 


Not all the entries were so uplifting.  One girl was in for ‘loss in love’ and ended up dying in the asylum having spent every day absolutely listless and in despair.  It’s hard not to feel an attachment to each woman in the case books – reading each entry from the point of admission to the point of release, death, or relocation ends in either jubilation at a full recovery or extreme melancholia when they don’t.
 

On other projects, here is a brief update.  Blood Tide is halfway re-edited.  I’ll pick it up again after the move and it WILL be ready by Christmas on Kindle.  I’m still writing for Knowonder and they’ve been fabulous.  My Cornwall tales seem to be going over well, and some of my other stories are rejected so I don’t always get it right, but I’m getting the hang of what works and what doesn’t.  Lillia and Rose is still going but slowly – I don’t want to rush this one and I’m working on writing it out by hand so I can really savour it.  Again, jewellery work is on hold until the move is finished and I can prep my new workshop.

 

More later…

Saturday, 4 August 2012

some random updates

http://www.knowonder.com/?s=holly+stacey is my latest children's story for knowonder, and my favourite so far :)


Ah, the baby is out with husband shopping for food, the cinnamon rolls are rising in the oven, I’ve done the washing up, put on the laundry, managed to brush my  hair and pour a coffee.  I’ve not drunk the coffee… it’s now stone cold, and I expect I’ll have the baby and husband come in any second, put a stop to my writing, and any chance of updating my blog (until baby has afternoon nap in which I’m actually meant to be tidying up the allotment).



Things have been manic.  As my friend Kirsty says, “Yes, it has everything to do with having children.”  So it’s not just me being disorganised (is that me relieved or worried?)  But I just can’t help myself.  I’ve been doing more writing now, having given Wyvern Publications a limited amount of time while I focus on my own work (after three years of helping other authors, editing other manuscripts, and learning things about PDF that I never knew I’d need to know, I’m now looking at getting my own work out and about).



We’re also mid-move.  Still waiting on one mortgage (or re-mortgage) but the company changed the rules half way through our application and have asked us to re-apply and pay more fees (which I am assured by our financial advisor he’ll get back for us).  I’m sure everything will pan out fine, but home isn’t home anymore, it’s become a building site.  Not to mention, I can’t get over how much builders make.  On a per-hour basis, it’s looking mighty fine – I think doctors get less!  So, maybe I’ll stop this writing lark and pick up some tiling equipment (as that seems to need less start up items than the rest of the building choices, lol).



Oops, rolls out of the oven now (nearly missed it!) and coffee still stone cold but now half finished. 



Right, where was I?  Ah, just a writing update (curses, the door is opening and I’m needed for baby-pushchair retrieval)…



Okay, now, where was I.  Writing.  That’s it.  I’m halfway done with the latest edit of Blood Tide (followers will know I’ve been reworking this novel for the past two years) and I’m hoping to (truly) get it up on kindle before Christmas.  It will be my first time using the kindle upload pages, although I’d like to do the same with The Faerie Conspiracies.  I’m not even going to look for an agent for Blood Tide – it has dialect and therefore is risky.  Agents aren’t taking any risks.  Main publishers aren’t either.  There is a revolution in the publishing industry and it’s been easier than ever to self-publish.  Agents are in dire straights, but still need authors, who no longer need them.  The average self-published author makes $10,000 a year from their writing (this is an average, about half will not, according to recent survey, make more than $500, many won’t make their money back if they’ve paid someone to do it for them).  But have a look at the kindle book Memory of Snow by Kirsty Ferry – you’ll find some excellent fiction just at a click of a button.



Aside from editing Blood Tide, it’s been all about keeping up with the quota of stories needed for knowonder.com, who’ve been amazing to work for.  It may have taken a few months longer for the re-launch, but the wait was well worth it.  Lillia and Rose, my latest children’s novel is going more slowly than I’d anticipated, but I don’t mind.  I’m enjoying taking my time over it.  I’ve also been sending some submissions out to various paying anthologies.



With the house move on hold, most of my jewellery making has been on hold too.  But I have got a workbench sourced (second hand kitchen top) and some more tools for cutting and soldering.  I’m keen on working with some traditional techniques for a set of medieval rings that I can take to the next Oyster Fayre. 




Wednesday, 6 June 2012

Colchester Medieval Fayre (formerly known as Oyster Fayre)

The Medieval Fayre was a wonderful experience and for the first time in costume, I set up as Seadrake Creations.  The chainmaille jewellery got a good amount of attention, as did the pure silver rings (one woman was kind enough to buy three at once! I gave her a very good discount). 

A couple of things made themselves known to me.  The first was that people don't like to make purchases when they are cold and wet.  The other is that I think I'll be targeting my work more towards authentic period items and less 'inspired by' items. 

Next on the list of things to make will be medieval cloaks (two as I bought way too much material at the fayre) and two medieval (1350's to be exact) hoods.  My tent is large enough to have a changing room and cloak rail after all.

I met some fabulous people and picked up a few commissions - I also learnt a bit more about various PLIs and the best way to start expanding my little business.  As one other trader said, 'I started so my trade would pay for my beer.'  So I'm starting small and having my creations pay for material (not that I don't like beer too).

Next fayre might be The Fairyland Trust Halloween Market... more to come!

Sunday, 27 May 2012

May Inklets


It’s so nice to get paid to write children’s stories.  It’s easy to just get caught up in the ‘get published’ mode, sending submissions out to anything that ends up in print, so when payment comes… WOW.  If anybody has a good children’s story, check out www.knowonder.com as it’s still accepting stories and pays very professionally for them. 1 June is when the website re-launches and all the new and wonderful stories will be featured; a story a day.



As for other markets, two short stories have been sent out to Chicken Soup for the Soul, who are constantly producing excellent books.  It’s a good market to capture, so fingers crossed, I’ve got it right.  If not, I’ll keep trying. 



The WIP (Lillia and Rose) will be drafted by August and then it’s the next couple of months for revising and sending out to agents.  It’s really coming into its own and I’m loving getting elements of Viking lore into the story (as the main character’s father is a historian… well, he has an MA in folklore and history, but he now works as an accountant in the city, so much for formal education).



The Colchester Oyster Fayre is getting closer and closer… my list of goods for sale is growing. I’ve now got pirate bags and pouches in treasure map print.  Not very medieval, but as I’m in the ‘pseudo-historical’ section, I figure I can stretch things a bit.  It was fun using my 1940’s hand cranked singer sewing machine (so there’s historic for you ;)



Ooh, and my tent for the fayre is ENORMOUS… I never appreciated just how big it would be (I finally had a chance to test it out at Grange Barn) and it’s too big to have the canopy up.  It will be an excellent place for friends to chill out at after competing in the archery tournament.  I’ll be pimping up the back to have sheepskin throws and a couple of blankies for ‘medieval crash-out’.  I doubt I’ll have time to paint the panels before the fayre, but I aim to have a full woodland up, with golden ink Shakespearean fairy quotes and maybe some Tennyson (or at least Mallory).



I’m still not happy with my website.  I’ve uploaded some new photos but I need to re-photograph many of the items with my ‘new’ second-hand manual zoom Nikkon (thank you amazon marketplace!) so they look a bit more professional.  The website keeps being uncooperative.  I’m no tekkie and my computer doesn’t like updates, but I’d really like to put a more personal and woodland spin on the website.  I may attempt to bribe a friend into helping me update it.



And finally, I’m keeping my fingers crossed for my friend and fellow historic fiction writer Laura – her book is with an agent who’s just asked to view the complete manuscript!

Friday, 30 March 2012

inky edits


Things have once again been insane and manic, but good fun.  I’ve been doing more baking at home, which has made my taste buds very happy (but the washing up has been a real chore). The house is a tip (or is that just me because I see so much of it every day?) despite my constant cleaning.  I wonder how my Grandma Betty always kept the house in perfect order.  She always was a bit of a Doris Day (and practically perfect in every way).

Knowonder is developing well and the 1 June launch looks to be all good to go from what I’ve been hearing (so hoorah for new uploaded stories!) and I’ve been able to get my 3 stories a month sent in.  I’ve also been accepted as one of their team editors, which is wonderful.  I edited my first three assignments last night and I’m now getting the hang of how to use the submishmash programme.

My first every Chicken Soup for the Soul story entry has been sent out.  ‘Hysterically Historical’ was based on my Tudor dancing group (not to worry, names were changed, but the wiggle wiggle dance does make an appearance). My plan is to do every submission I can for them as they pay well (with a 3-year wait for payment and publication if accepted).

Next port of call for subs is Highlights Magazine, something I used to get as a child and enjoyed reading.  Hopefully, it will be something I will enjoy writing for!  Of course, all this does take its toll on time and having only two hours a day when Claudia is asleep, means the housework does suffer (as I said earlier, the house is a tip).


So… while the writing front has been busy, the ‘find and agent’ front has been non-existent.  If history has taught us anything, it’s that fighting on more than one front at once will weaken the attack.  So, it’s write, write, write for this year, and agent will be reserved for when I don’t have so many submissions to send out.


All in all, hoorah for paid submissions!!!

Monday, 27 February 2012

kno inky updates

Huzzah! It seems that knowonder! has made some fabulous changes and instead of paying $10 per story, it’s paying up to $50 per story which means I can relax about sending out overseas subs via pricey snail mail. And… stories go up on 1 March.


I’ve also made motions to re-start writing for suite101.com as I had stopped in 2009 to get Wyvern Publications off the ground and running.  Now that we are about to publish our 9th title (and 10th before Christmas) the team will be focusing on publicising titles already up and I’m taking a year out of editing so I can work on my own books.
With two regular paying markets taking my work (one fiction and one non-fiction) I do feel a bit more confident about calling myself a professional writer.  I had been feeling pressure about bringing more funds into the household and although I won’t exactly be earning a high salary (or even minimum wage…) I can at least know the groceries are covered!


Which brings me to… the allotment! It’s looking amazing and certainly tidier than it had before.  I’ve bought three seasons of seed potatoes to keep us chip-happy and asparagus and more dahlias are going in.  The asparagus is low maintenance which is nice and it just keeps giving year after year (and tastes amazing).  It’s great working outdoors for something that gives back more than I put into it and I even use my archaeology trowel to get my sides straight in the seed bed areas.  Not that the area is devoid of any archaeological evidence.  There are pot sherds galore, broken pipes, slag (and some evidence of a small forge – probably just for shoeing horses), medieval peg tile and loads of iron waste which makes for good ballast when I want to keep a weed cover from blowing about the place.


We’re having some good productiveness on the home front too with two chickens producing eggs now.  Ruby, the ex-batt has decided it’s not fair for just Gemima to lay, so she’s back in action and looking two years younger (that’s about two decades in chicken years).  Star is looking better although she’ll never be at 100% after her illness (she had chicken bronchitis – or so said the vet after the last visit).


Things seem to be balancing out nicely now and I’ve nominated the first Friday of every month to be ‘find an agent’ day.  I’ll give Blood Tide another round and this time focus on US agents as they don’t seem to be baffled by having to read dialect.  Then it will be another edit (it’s out with three readers at the moment and I’m getting some excellent new suggestions), then up on kindle if I’ve had no offers.

Thursday, 23 February 2012

Rabbit Ink

Goodness, where does the time go? It’s been a year since I boldly stated that I’d be sending in one submission every two weeks and would, hopefully, bag an agent.  I sent three submissions to large agencies last year and got no love back.  It was nice to get a few things in anthologies, but I was so hoping to reach a wider audience.

Which brings me to the new endeavour – Seadrake Creations.  It’s doing okay, I’ve got a new fair to set up for 21 April and it should be interesting to see what sort of things sell this time (at the Christmas fair it was only the children’s things that sold out).  I am getting more interest in my silver leaf pendants, but as PMC costs so much, I’m not really making money off it, just having a bit of fun.  I’ve secured the domain www.seadrakecreations.co.uk but have yet to transfer my seadrakecreations.googlesites website over to it.  After the debacle with google recently, I should do it quickly before its gone forever (Google was about to delete my account for being 8months old… I was setting up a youtube account and put the age of my business instead of my personal age.  Seems obviously silly now!)

I am trying hard to think of ways of working from home and staying self-employed – I’m going to be running craft workshops, but until I get my level 1 PMC certification, I’ll not have any access to discounted PMC and supplies (curses!) so that’s another thing to save up for (and getting a second hand camera that has a manual focus).  I’ll also be putting up demos on youtube and some project downloads will be put on the website (maybe even a kindle book with a load of projects).  There is always so much to do in the few spare hours when Claudia sleeps.

As for WIP – there are too many things to even count.  I know I should just stick to one, but my writing is in limbo until the last few things I sent in to knowonder are published.  So far, I’ve been writing story after story and have been biting my fingernails, checking their website to see if anything is ever published.  I’m guessing March will be when things are up, but that’s such a long way off considering the team has been putting stories in the pot since New Year. Patience has never been my strong point - the stories will go up when they are ready!

That, and I’ve been looking at new places to have fiction published.  Paying places *big grin*.  Highlights Magazine is my next port of call (even though I must post my work via snail mail overseas WITH a SAE; how expensive will that get?) and a few others of similar ilk. 

Here is a bit of one of the works I’ve been sneaking down – it’s been in my head for years and it’s a bit different from the usual stuff.

The Rabbits of Carrot Wood
(a series)


book 1: Into the Wood

Ostra looked up at the bright stars through the clearing of trees and thumped on her hind paw.  Her thick grey fur looked silver in the moonlight, but soon, she knew, it would appear golden when the fires began. 

In seconds, the entire forest floor was quaking with the thumps of several rabbit’s hind paws.  Tall ears popped up from holes in the ground, followed by long, sleek bodies.  More hind legs joined in the warning and soon even the birds in the trees had taken flight in the night.

“Is the council gathered?” It was Freya who asked Ostra, one of the rabbits to whom the next role of leadership would fall.

Ostra bowed her head.  “They are gathered.”

Freya nodded and raced off, her hind legs flashing like lighting to the summit.

An owl flew low, his talons out, searching for any small prey.  He too, must have sensed the change in the air and was taking advantage by finding food.  Ostra dove into one of the warren’s holes, knowing full well that she was just small enough to be taken by those sharp talons.  A few moments later, she heard his frustrated scream – her den-mates were safe.  Surfacing again, she watched the wings flap towards the plain and away from the colony of rabbits.

She pulled the rest of her body out of the hole and shook off dust and soil.  She’d have to do a proper wash later – after this council business was sorted; after the fires had passed.

Many latecomers rushed past her to get to the gathering point; a large oak stump in the centre of the clearing.  Already, the four council elders sat in their honoured positions, each facing outward in the cardinal directions. 

“Hush”, Elder North called.  The crowd of rabbits settled down.  The crowd was managed by the guardians; twelve strong warriors to keep their eyes on the skies for predators and behind them for sly foxes.  Each was armed with a spear ending in a stone point, their backs covered with a long, blue stripe of paint to mark their position as protectors.

Elder South nodded to Elder North and raised his front paws.  “We are gathered here this late night to witness the passing of the moon’s shadow as foretold by our seers.  In honour of this spiritual event, we shall light the fires as is custom.”

There was a hiss of breath as the crowd took in the knowledge. There had not been any fires lit for the past twelve generations.  Legend was strong in the tribe, but the
marks on the earth told the tale more solidly than any storyteller.

“Firedancers!” called Elder West.  “Now it is time to put to use your years of training! Prepare the cinders.”

Two small rabbits with patches of red on their heads came forward, eyes wide and frightened.  They brought with them a basket of smoke.  Behind them followed four young females, each carrying a bundle of twigs.  They dumped the twigs in the centre of the elders’ oak stump and scurried away on all fours like wild rabbits.

The four elders hopped off of the stump, allowing the two firedancers to approach.  They placed the basket gently in the centre and stripped off their woven robes.  The black and red flame patterns heaped onto the earth below them and each of them took deep, slow breaths before opening the basket.  It was apparent to Ostra that they had spent hours in preparation for the eve.

“Begin! Begin! Begin!” The four elders started the chant and were soon joined in a cacophony of others as the crowd opened their mouths to add to the chorus. It wasn’t long before those rabbits who had been wary, became fevered with the need to see flames – and the result of those flames devouring both flesh and flora.

Ostra felt the need to look away, but something held her attention captive as the two dancers reached into the basket with their bare paws and, screaming, threw the live embers into the pile of sticks.

“More, more, more!” The crowd and the elders’ voices were one now, like a hive of bees with only one thought for the many.  Even Ostra found the words seeping from her tongue when all she really wanted to do was run. 

The dancers’ screams turned from fear into screams of maniacal joy – they threw more embers into the air, letting them catch the sky and form arcs of light.  Yet, despite their fur touching all the flames, they didn’t burn.  The glowed.  The fire seemed to come from inside them now and each of the dancers, inflamed with magic of the dance, began to swallow the coals and embers, belching out long flames then leaping over.

The ground began to shake, this time without the aid of any rabbits’ thumping.  The dancers stopped leaping and began digging.  They bored into the earth like worms, their bodies glowing under the patches of turf and soil.  Long pathways of steam showed the crowd were the dancers were moving; each of them in perfect harmony with the other to form first a perfect circle around the crowd, and then spirals.  Rabbits jumped high as the dancers burrowed under their feet, but still nobody left.

This is madness, thought Ostra.  But she too, could not escape.  The sky then seemed to be falling – the stars streamed in the sky and the moon, covered by an invisible cloak, disappeared slowly into the night.  The dancers surfaced, exhausted, but untouched by fire.  Except, perhaps, the fire in their eyes, observed Ostra.  They had a new life in them that hadn’t been there before.  But they seemed spent and almost hobbled to the centre oak.  Satisfied, the elders covered each with a flame-coloured cloak and looked up to the sky.

“Prepare yourselves!” said Elder North.  “For now we shall see the vision.”

****

Once upon a time, long, long ago, there were three rabbits.  One was grey and one was brown.  The other was pure white.  The white rabbit wanted to lead, for he felt that only he was closest to the gods; why else would they keep him as pure in colour as the snow?  The grey rabbit felt that he should be in charge, for was he not the very colour of a fallen star – which everyone knew was the physical body of an angel.  The brown, however, said nothing.  For he knew that the gods would give to them what the gods would give.

The white and the grey rabbits quarrelled.  They bit and tore at each others’ ears.  Soon, they had lost their sight.  Soon after that, they had lost their ability to hear the gods’ whispers.  But the brown rabbit prayed.  He prayed that his two aggressive brothers be spared; that they live in peace.

The gods heard his prayers and granted them.  The grey and the white rabbit were made one – every winter the rabbit would be white and every summer, the rabbit would be grey, each blending in harmony with the land around him; never meeting each other or overlapping.  But they had become simple.  They could not speak.  They could not plan or think.  They could live, but live simply.

Happy that his brothers could live, but lonely, brown rabbit then asked the gods for a mate.  And once again they granted his wish.  A beautiful female rabbit came to his den one morning.  She could speak the language of the flowers and knew healing spells.  She too could communicate with the gods and her name was Ostra.  She gave the brown rabbit a name, so that he too could be remembered in song.  His name was Oak.  Together they had many children and became the founders of our way of life.  They kept the forest and woods tame and knew that their needs would always be met; using their minds and skills granted to them by the gods.  But they also knew too, that if they did not keep the law of the earth, the gods would punish them in the same way they did to grey and white rabbit.

****

Ostra woke in her warren, her familiar blankets firmly tucked in around her.  It had been a long time since she’d dreamed; and this dream was beautiful. It was full of colour – blues and greens and a huge mass of water.

“No,” she said aloud, “it wasn’t a dream…” It had been the firedance – they had seen a vision.  She knew, though she couldn’t pawpoint how, that each of them had seen something different.  Hers had been of a place far, far away – there were white birds with black tipped wings, heavy winds, and no trees.  It made her feel exposed, but she felt inexplicably drawn to it nonetheless.

It was very early – she could smell the dew in the earth and hear the deep breaths of the rest of the warren.  Creeping out as quietly as she could, she popped her head above the ground and sniffed the air.  Fresh.  Clean.  She opened one eye, a little frightened of what she might see.  It was green and lush; without any scarring from the night’s ritual.  But when she hopped to the clearing, she could see the markings in the ground where the dancers had burrowed – instead of scorching there was moss. 

What does it mean?  She scratched her left ear with her hind leg and hopped onto the oak stump to take in the entire pattern. She hadn’t remembered going back into the warren – just a vague knowledge that she did see a vision when she looked up to the stars.